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Revenge is a dish best served as often as possible, at least according to Quentin Tarantino. The director’s latest movie, Django Unchained (out Christmas Day) tells the story of a freed slave (Jamie Foxx) who teams up with a bounty hunter (Christoph Waltz) to rescue his wife from a smarmy plantation owner (Leonardo DiCaprio), killing more than a few people in the process. Subtitles for TV-Series, Movies, and Music videos, phrase by phrase curated and perfected by users.
That same response will be felt by viewers of “Black Panther,” one of the year's best films, and one that transcends the superhero genre to emerge as an epic of operatic proportions. The numerous battle sequences that are staples of the genre are present, but they float on the surface of a deep ocean of character development and attention to details both grandiose and minute. Wakanda is a fully fleshed-out, unapologetically Black universe, a world woven into a tapestry of the richest, sharpest colors and textures. Rachel Morrison’s stunning cinematography and Ruth Carter’s costumes pop so vividly that they become almost tactile. You can practically feel the fabric of the hat worn by Angela Bassett as it beams in the sunlight on the day her son becomes king.
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Bassett is just one of numerous familiar and up-and-coming actors of color who bring their A-games to “Black Panther.” Forest Whitaker, Sterling K. Brown and “Get Out” star Daniel Kaluuya are just a few of the others. The entire cast creates characters with complexities rarely afforded minorities in cinema; these people are capable of contradictory human responses that have lasting consequences. Their feelings are deep, instantly relatable, and colored with the shades of grey not often explored in blockbuster entertainment. When the villain still manages to make your eyes tear up despite trying to murder the hero in the previous scene, you know you’re in the presence of great acting and storytelling.
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The villain in question, nicknamed Killmonger, is played by Michael B. Jordan. Someday, the team of Jordan and writer/director Ryan Coogler will be mentioned with the same reverence reserved for Scorsese and De Niro. The duo have done three films together, and though this is the first where Jordan is in a supporting role, they still convey a cinematic shorthand that’s representative of their trusted partnership. A film like this is only as good as its villains, and Jordan deserves a place in the anti-hero Hall of Fame alongside such greats as Gene Hackman’s Little Bill Daggett from “Unforgiven.” Like Hackman, Jordan lures you in with his likeable comic swagger before revealing the shocking levels of his viciousness. He is hissable, but his character arc is not without sympathy nor understanding.